August 8, 2014
comicblah:

DC Universe by Jim Lee

comicblah:

DC Universe by Jim Lee

August 5, 2014
browsethestacks:

Avengers #01 Cover Recreation by Mike Mignola

browsethestacks:

Avengers #01 Cover Recreation by Mike Mignola

(via themarvelageofcomics)

July 27, 2014

July 27, 2014
SDCC037-1: Batman Classic TV Series Batmobile

SDCC037-1: Batman Classic TV Series Batmobile

July 26, 2014

July 26, 2014
ungoliantschilde:

Wolverine 1988, by Barry Windsor-Smith.

ungoliantschilde:

Wolverine 1988, by Barry Windsor-Smith.

July 24, 2014
SDCC FIRST LOOK: David Finch’s “Wonder Woman” #36 Art

SDCC FIRST LOOK: David Finch’s “Wonder Woman” #36 Art

July 24, 2014
SDCC FIRST LOOK: David Finch’s “Wonder Woman” #36 Art

SDCC FIRST LOOK: David Finch’s “Wonder Woman” #36 Art

July 1, 2014

June 23, 2014
Spider-Verse variant covers by Skottie Young

Spider-Verse variant covers by Skottie Young

10:37pm  |   URL: http://tmblr.co/ZQhAay1JZaNfy
Filed under: spiderman 
June 23, 2014
Walt Simonson Triumphantly Returns to Thor with “Ragnarök”
http://www.comicbookresources.com/?page=article&id=53619

Walt Simonson Triumphantly Returns to Thor with “Ragnarök”

http://www.comicbookresources.com/?page=article&id=53619

June 23, 2014

June 10, 2014

April 2, 2014

seanhowe:

This is not an April Fools joke.

Above, you’ll see John Romita’s original art for the cover to Amazing Spider-Man #121. That issue contains one of the most important stories in the history of Marvel Comics; if you’re not familiar with it, you can read plenty about it at its Wikipedia page. It was written by Gerry Conway.

It’s also the basis for the next Spider-Man movie, which comes out next month.

Now, you’d think that Sony Pictures could find a seat for Gerry Conway. But according to the author of “The Night Gwen Stacy Died,” Sony has yet to acknowledge him.

Last year I went to a press screening of Fox Entertainment’s THE WOLVERINE with Chris Claremont, the writer of the movie’s source material. Claremont was my plus one—he hadn’t been invited to a premiere or a screening. We watched the closing credits together, searching in vain for his name. (Marvel Entertainment and its parent corporation, The Walt Disney Company, have their own checkered history with treatment of talent, but neither THE WOLVERINE nor AMAZING SPIDER-MAN 2 were produced by them.)

Do you think this is acceptable behavior toward creators? Should Gerry Conway have to take to social media to get an invitation the premiere of a movie based on his work? It’s not like he’s asking for any of the QUARTER OF A BILLION DOLLARS the movie is expected to bring in at the box office.

Here is Gerry Conway’s Twitter account; have a look. And please consider helping him get the word out.

#inviteGerryConway


UPDATE:

Props to Justin Sullivan at the LA Times for covering this.
http://herocomplex.latimes.com/movies/amazing-spider-man-2-gerry-conway-campaigns-for-premiere-invite/

March 29, 2014

studiosixty:

  1. Beauty and the Beast (1991) by Martin Ansin
  2. Sleeping Beauty (1959) by Billy Baumann
  3. Snow White (1937) by Anne Benjamin
  4. The Sword In The Stone (1963) by Rich Kelly
  5. The Jungle Book (1967) by Olly Moss
  6. The Black Cauldron (1985) by Francesco Francavilla
  7. The Rescuers (1977) by Dave Petersen
  8. Aladdin (1992) by Tom Whalen
  9. Finding Nemo (2003) by Tom Whalen
  10. The Lion King (1994) by Tom Whalen

From “NOTHING IS IMPOSSIBLE”, the new art gallery/poster series by Mondo Gallery + Oh My Disney, which just opened at SXSW.

It’s pretty much impossible (no pun intended) to grab a Mondo print as they have a very limited print run, and most of these will probably sell out at SXSW.

So if you’re at SXSW and grab me a Sword In The Stone or Beauty and the Beast or The Rescuers, I will love you forever.

(via fumettimarvel)

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